Showing posts with label Metal Blade Records. Show all posts
Showing posts with label Metal Blade Records. Show all posts

Oct 12, 2018

Behemoth (2018) I Loved you at Your Darkest 'Review'


Band: Behemoth
Country of Origin: Poland
Genre: Black metal / Death metal
Type: Full Length
Format: CD
Length Approx.: 47:00 min.
Release Date: 10-05-2018
Release Label: Metal Blade Records

IR Classification: Good (4.2 / 5)

Listen our review! (English)
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The darker element is predominant from the beginning to the end.

With nearly twenty-eight years in the road, Behemoth has accomplished almost everything as musicians. We have witnessed their history, album after album plagued of Paganism, Antichristianity, Satanism and Thelema. Their sound has evolved from their beginnings playing a Black metal during their demos era and then they switched to a more Blackened Death metal sound until nowadays in the same vein, but more elaborated with operatic arrangements and plenty of choir intrusions, which seems to upset the oldest core fan base of the band, criticizing them for being a today's mainstream act with marketing purposes only.

Behemoth eleventh album titled "I Loved You at Your Darkest" steps on the toes of their previous record "The Satanist" released four years ago, which in my opinion is their best work since "Satanica" from 1999. In their newest album, the darker element is predominant from the beginning to the end. Of course, the arrangements intensify every song for the benefit of the listener. "I Loved You at Your Darkest" seems to me a natural progression from their previous album, not overdone or complicated, rather conventional, straight and crushing Black metal without compromises, that's where the strength of this album lies.



With that been said, let's step into Nergal's reign, the first song "Solve" comes to be the intro with children’s shouting blasphemies and that give a way to "Wolves ov Siberia" which breaks in with a colossal blast beat by Inferno, the guitar work by Nergal is overwhelming from the beginning, while the bass line resounds along the track, vocally we can't ask for more. Guttural growls from the abyss by Nergal himself, this track is followed by the controversial "God = Dog" this track slow down a bit only to pick up the bar with blazing drumming, the riffs become fast and sharp, as for the lyrics which remain unregretful confronting a deity, "Ecclesia Diabolica Catholica" transmit a pity gloomy and lonely feeling is more like a demon in chains you can see his hellish eyes  and that flame still burn, and suddenly chaos turn around with powerful drums, the riffs are fueled by aggressiveness from a darker soul, the bass notes are utterly supreme and melodic with its own personality, the vocals are amazing, next "Bartzabel" with a beautiful acoustic guitar work excel adding that mysticism vibe, while the music in intense and plenty of pace, the lyrics goes beyond your expectations evoking one of the most powerful planetary spirit who was assigned to Mars, I would dare to say that it is one of the best songs of the band in its entire discography, "If Crucifixion Was Not Enough…" has a groovy riff which is unexpected build with intensity channeling the energy to listen "Angelvs XIII" it flows very chaotic and threatening, the drums are relentless and again the guitar riff are pretty forceful, "Sabbath Matter" brings together a perilous but pleasant riff, the clean vocals gives another variant to the album, works more like an add rather than an excessive abuse of them, "Havohej Pantocrator" sounds epic adding another layer to the album, "Rom 5:8" goes back in time exploring with itself the vast Old School of Black metal with the drumming that covers a variety of styles that are well executed, the guitar sounds tight, frantic at moments when the speed builds up, but sinister at the slower parts, the next track is "We Are the Next 1000 Years" the drums sounds unrelenting with ferocity, the groovy riffs are stunning bringing at some point clean guitars adding an epic touch, the closing track is "Coagvla" a good enough instrumental track to finish the journey, not what we were expecting.

Where "I Loved You at Your Darkest" fails is to manage to maintain the intensity throughout the whole album, I liked it! I have to admit it, but honestly the album has a lot of ups and downs and there is where it falls short compared to the "Satanist", I don't think it should be considered as the best Black metal album of the year, neither the biggest letdown of the year, so; give them a shot and enjoy the moment.

Stay True... Stay Metal... Stay Brutal...

Track List:

01. Solve
02. Wolves ov Siberia
03. God = Dog
04. Ecclesia Diabolica Catholica
05. Bartzabel
06. If Crucifixion Was Not Enough…
07. Angelvs XIII
08. Sabbath Mater
09. Havohej Pantocrator
10. Rom 5:8
11. We Are the Next 1000 Years
12. Coagvla (*Instrumental)  





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Oct 10, 2018

Anaal Nathrakh (2018) A New Kind of Horror 'Review'


Band: Anaal Nathrakh
Country of Origin: United Kingdom
Genre: Industrial Black Metal / Grindcore
Type: Full Length
Format: CD
Length Approx.: 33:00 min.
Release Date09-28-2018
Release Label: Metal Blade Records

IR Classification: Excellent (4.5 / 5)



Listen our review! (English)
© Insanity Remains Webzine.



                   






Anaal Nathrakh has done their best album so far in their career.

Tenth album called "A new Kind of Horror" from Birmingham, U.K. based band Anaal Nathrakh, has arrived like a stampede with its classic Industrial Black Metal dyed in its particular Grindcore style. This album grabs one of the most heart-wrenching world events that marked humanity and compiles all those feelings of anguish, fear and deep pain that brought World War I with itself, where hope meant everything and was the privilege for some. Anaal Nathrakh takes all that inspiration, from the battlefields, the bloody trenches and the inhuman use of chemical weapons for the first time, to give it shape with its unique style.



Anaal Nathrakh manages to majestically capture some of the most terrifying details in the history of wars, musically speaking in my opinion they surpass everything they had done previously or maybe it is only the lyrical content that moves the most sensitive fibers and makes you feel vulnerable. The album opens with a short but subtle intro "The Road to ..." which serves very well to receive "Obscene as Cancer" and immediately overwhelms you with its chaotic speed is full of riff and tremolo melodies, another great theme is "Forward!" with a deliberate use of a single-shot rifle, disturbing and dark lyrics and poisonous pace, next is "New Bethlehem / Mass Death Futures" by far! I feel that it is the best lyrical interpretation of the album with growls, screeches and symphonic vocals that are all combined in an excellent way, "The Horrid Strife" hooks you with a solid guitar riff to create a dark emotion, the last track is "Are We Fit for Glory Yet? (The War to End Nothing)" with an operatic arrangements and exuberant choirs they confront the atrocities without fear.



Arguably many will crucify "A New Kind of Horror" explaining how generic they sound by comparing to their latest albums. Everyone has their own opinion, mine is simple and honest. Anaal Nathrakh has done their best album so far in their career; structured with great riffs, brutal blast beats; with good industrial samples attached, grindcore-ish speed, excellent lyrics, also with an orchestration and choral beyond reproach, a very dynamic production, ending as the best album within its style.

Stay True… Stay Metal… Stay Brutal…


Track List:

01. The Road to… │ 02. Obscene as Cancer │ 03. The Reek of Fear │ 04. Forward! │ 05. New Bethlehem / Mass Death Futures │ 06. The Apocalypse Is About You! │ 07. Vi Coactus │ 08. Mother of Satan │ 09. The Horrid Strife │ 10. Are We Fit for Glory Yet? (The War to End Nothing)


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Oct 9, 2018

Revocation (2018) The Outer Ones 'Review"



Band: Revocation
Country of Origin: United States
Genre: Technical Death / Thrash Metal
Type: Full Length
Format: CD
Length Approx.: 48:00 min.
Release Date09-28-2018
Release Label: Metal Blade Records

IR Classification: Good (4.2 / 5)

Listen our review! (English)
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A devastating technical avalanche.

The natives from Boston, Massachusetts; Revocation seems an unstoppable machine with over twelve years behind their backs they have been very busy the last five years touring tirelessly everywhere north to south and east to west, catching sometime between to compose, record and released a total of four albums within this period, including the last album entitled "The Outer Ones" each one surpassing its predecessor in every aspect, always delivering top notch productions without overwhelming the listener and that is probably the key for their succeed.

Since the beginning Revocation they were characterized for their consistency, quality and innovation, bringing unorthodox elements to its songwriting, but always remaining as extreme and authentic as they can be and of course their latest album "The Outer Ones" can't be excluded, their Progressive Death Metal style has remained as their hallmark, although sometimes sinning a bit for the excesses in which they fall and we often overlook them. 



Let's proceed with the album itself, the opener track is "Of Unworldly Origin" kick off right away with a very fast tremolo picking and thunderous blast beats, this track hits the right notes of progressive metal, delivering a genuine guitar solo to enhance your experience, followed by "That Which Consumes All Things" weak at the beginning but somehow they manage to hook you up with solvent riff not impressive but very well backed up by the bass lines played behind the guitars, the third track is "Blood Atonement" after a stunning fret work, quickly the melodies arrive and leads towards spirals of progressions very accurate and structured, while the drum work here is faultless and belligerent, next is "Fathomless Catacombs" sounds darker without abandon the progressive path, beautiful but passive guitar solo, "The Outer Ones" tries to approach you infused by an enigmatic science fiction vibe, the sound is unapologetic, with thrashing murky riff and a very consistent drumming, however very repetitive towards the end, "Vanitas" lacks of intensity and ferocity but is not a bad track at all, brings up together all the collective talent this band owns, molded in simplicity but chaotic yet, "Ex Nihilo" is the instrumental track and it connects right away keeping the flow from the previous track, with more punching progressive guitar riff, the drumming is mean and categorical and the bass adds a darker and deeper vibe, now comes "Luciferous" structured with a more melodic feeling and at some point picks up its aggressivity with no remorse, the battling rhythms between the guitars are appealing, here there is not misconception at all, and so we come to the last track "A Starless Darkness" slows down the pace to the devastating technical avalanche we were exposed, strong grooves that shift speeds back and forth sometimes stepping on the threshold of doom, the low growls add the proper dimension for this track, while the guitar solo it sounds very saturated and complicated.

I would like to conclude that "The Outer Ones" while is not easy to digest for everybody, I mean if you are looking for brutality, speed and straightforward metal, you might be disappointed, but not all is lost, Revocation through "The Outer Ones" can deliver exactly what you looking for, but with some dose of complexity and virtuosity, I will not deny that you might find some issues while testing this band; However, I can assure you this album will be a top ten list of the year.


Stay True... Stay Metal... Stay Brutal...

Track List:

01. Of Unworldly Origin
02. That Which Consumes All Things
03. Blood Atonement
04. Fathomless Catacombs
05. The Outer Ones
06. Vanitas
07. Ex Nihilo
08. Luciferous
09. A Starless Darkness






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Sep 25, 2018

Monstrosity (2018) The Passage of Existence 'Review'


Band: Monstrosity
Country of Origin: United States
Genre: Melodic Death metal
Type: Full Length
Format: CD
Length Approx.: 58:00 min.
Release Date09-07-2018
Release Label: Metal Blade Records

IR Classification: Excellent (4.8 / 5)

Listen our review! (English)
© Insanity Remains Webzine.


      




This new album attains a status near masterpiece definition.

I have to admit it, since I found out that Monstrosity would launch a new production this year, many expectation arose within me and I felt anxious to listen this album, because I consider Monstrosity as an iconic figure in the Florida death metal circuit, it was 1992 few days after my birthday, when I attended to my local music shop looking for Obituary's latest album at that time "The End Complete", but it ran out; So I ended up buying Monstrosity debut album "Imperial Doom", as soon as I heard it, this album blew me away!  my blind purchase was worth every single cent.

These veterans of a thousand battles have been able to create an impeccable album in all its aspects, do you want to compare their sound? all right! I'll tell you to forget Cannibal Corpse and their crushing brutality, discard Deicide and their blasting sound, nor the technical sound of Atheist, but with enough elements and more diverse than Obituary; So you can only compare Monstrosity to themselves for instance listen their previous work "Spiritual Apocalypse" released over eleven years ago, then you will know what I am talking about.

Currently the band consist of their lead man behind the drums Lee Harrison, bass player Michael Poggione, lead guitarist Mark English, vocalist Mike Hrubovcak and guitarist Matt Barnes, this line-up has been steady since 2010, the album was recorded at three different studios, the drum tracks where recorded at Audiohammer Studios in Sanford, Florida while the guitars and bass where recorded at Ascension Sound in Tampa and finally the vocals where recorded at Obituary's Redneck Studios in Gibsonton; Under the production of another metal veteran Jason Suecof, and the mixing was perform by Mark Lewis.



"The Passage of Existence" surpass any of my expectations, I liked their work at "Spiritual Apocalypse" but undoubtedly and despite the followed up their monstrous formula, this new album attains a status near a masterpiece definition, the first track "Cosmic Pandemia" heavy punching riff nothing intricate but sophisticated old fans will be grateful, "Kingdom of Fire" offers a nice shredding through versatile guitars and blistering drums, "Radiated" brings with itself an unrelenting brutality, fast with superb snarls to rip out your guts, "Solar Vacuum" the sickest track of the album very unrepentant and threatening, "The Proselygeist" sounds dense and give the listener to experience a mid-pace track conceived utterly dark, "Maelstrom" will drag you into hell with such voracious riff and its solid rhythm section, "Eyes Upon the Abyss" they ruthlessly lash out with extreme and engaging twisted realms and sharp turns, next is my favorite track of the album, "Dark Matter Invocation" very elaborated, layered with melodies that morph into passionate and belligerent riff, while the vocals enhance and set in another level this track, "The Hive" sounds frantic and moody, "Eternal Void" is a natural anthem of hostility for the mosh pit, they threw in excellent bass near the end to highlight this song, "Century" delivers an unequaled state of devastation, the last track is "Slaves of the Evermore" whit forceful instrumentation and abominant growls keep's the intensity and hostility up to the last minute.

"The Passage of Existence" doesn't lack of anything at all contains brutality, achieve a technical level, fast, well balanced, but the outstanding part of this album is what makes metal what it is, furious unbridled and distorted guitar solos, all of them memorable and pretty well executed, I truly believe the wait, well worth it! with this album your highest demands will be satisfied I have no doubt about it.

Stay True… Stay Metal… Stay Brutal…


Track List:

01. Cosmic Pandemia
02. Kingdom of Fire
03. Radiated
04. Solar Vacuum
05. The Proselygeist
06. Maelstrom
07. Eyes upon the Abyss
08. Dark Matter Invocation
09. The Hive
10. Eternal Void
11. Century
12. Slaves to the Evermore



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Dec 6, 2017

Sorcerer (2017) The Crowning of the Fire King 'Review'

Band: Sorcerer
Country of Origin: Sweden
Genre: Epic Doom metal
Type: Full Length
Format: Digital 320 kbps
Length Approx.: 01:11:00 min.
Release Date10-20-2017
Release Label: Metal Blade Records

IR Classification: Excellent (4.6 / 5)



Listen our review! (English)
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Excellent Epic Doom metal, no complaints allow.

Sorcerer is simply like a fine wine, you gather the best ingredients, crush them, leave them to ferment, extrude the mixture and let it blend and age, bottle up and finally enjoy a unique mixture of twenty-five years of aging, that's how Sorcerer can be compared, only as the finest bands within the genre, you just can't skip "The Crowning of the Fire King".

Is very rare that I pick two Epic Doom metal albums within a short period of time, as I picked already Forsaken and their album "Pentateuch" and I'm sure I didn't go wrong with them, but neither will I go wrong with Sorcerer and "The Crowning of the Fire King", because it excels in all the ways you want to see this album, the songwriting is stunning, I can't point anything negative about it, the vocals surpass way beyond my expectatives, the length of the album doesn't turn into a boredom and they always managed to keep you engaged at listening, it never let you get away, So! yes... this definitely is a excellent album.



"The Crowning of the Fire King" contains ten tracks of varied tunes that are easy to classify in three groups the opener cut "Sirens", Abandoned by the Gods" and "Crimson Cross" belong to the energetic tracks with such vehemence, then we have "Ship of Doom", the self title track "The Crowning of the Fire King", "Unbearable Sorrow" and "Disciples of the Dark" with a very accentuated Epic Doom metal sound, down tempo with an excellent guitar work a majestic vocal work to sing along with Engberg and last we have "The Devil's Incubus", "Crimson Cross" and "Bringer of Misery" these tracks fits more into a melodic scheme with catchy choruses; Also we can't skip "Nattvaka" the acoustic interlude that's simple but dominant; So everything here exceeds what you're looking for, it is not necessary to say it, but Sorcerer has consolidated with this as their second work.

I would say that Sorcerer has establish their own brand of Epic Doom metal with their sophomore work, a very distinctive sound that allow them to be apart and dig up their own legacy, an album that will surely reach more than just one list of the top ten of 2017, they sure will have a place in ours!

Stay True... Stay Metal... Stay Brutal...

Track List:

01. Sirens
02. Ship of Doom
03. Abandoned by the Gods
04. The Devil's Incubus
05. Nattvaka
06. Crimson Cross
07. The Crowning of the Fire King
08. Unbearable Sorrow



Metal Blade Records


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Nov 19, 2017

The Black Dahlia Murder (2017) Nightbringers 'Review'

Band: The Black Dahlia Murder
Country of Origin: United States
Genre: Melodic Death metal
Type: Full Length
Format: CD
Length Approx.: 33:00 min.
Release Date10-06-2017
Release Label: Metal Blade Records

IR Classification: Good (4.0 / 5)



Listen our review! (English)
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Impressively fast without regrets crushes everything around

Melodic death metal band The Black Dahlia Murder has just thrown at us, their eighth full length album entitled "Nightbringer" through Metal Blade Records, undoubtedly this is a record that shows their consistence within the genre and proof of that is the immense amount of followers around the world, accumulated during fifteen plus years and placing them as one of the best acts of Melodic Death metal from America, and I would dare to say that the only one! always moving forward and avoid stay for longer than they should be in safe ground, we can appreciate that since the beginning "Unhallowed" with divided views, "Miasma" struggling to convince, but it was until arrived "Nocturnal" that clear out any doubts, after that came out "Deflorate", "Ritual" and then to reach the pinnacle of their career they deliver "Everblack", then came out "Abysmal" which is not bad at all, however will live forever in the shadows of "Everblack".



"Nightbringer" contains nine tracks barely passing the mark of thirty-three minutes, in my opinion is some kind of short length album, but let's get to the point, this album kicks in with "Widowmaker" with a subtle and mysterious intro quickly as a lightning rumbles in your ears a fast riff not complicated but catchy, the double bass drum fit perfectly, the vocal job is outstanding showing a a very well educated throat shifting from deep gutturals to high screeches, next is "Of God and Serpent, Of Spectre and Snake" impressively fast without regrets crushes everything around, followed by "Matriarch" simply is an immaculate piece of unbridled dementia and a remarkable story line, "Nigthbringers" self titled album track offers the melody that distinguishes the sound of The Black Dahlia Murder, what else possibly I can say about this theme? "Jars" composed with a rhythmic and powerful riff, incorporates some background chorus, the guitar solo is magnificent almost by the end of the track, "King of the Nightworld" flirts lightly with a death 'n' roll feeling, something that we have already heard before in the repertoire of The Black Dahlia Murder, "Catacomb Hecatomb" aims to be the heaviest track of the album with a demolishing strength from the guitar work of Ellis and Brian is awesome, while Trevor delivers once again a vocal masterfully performance, "As Good as Dead" is totally devastating, the closing track is "The Lonely Deceased" drags you into an unmerciful stage of savagery, converging emotionally into a melodic chaos.

"Nightbringers" is able to offer a refreshing experience with their classical sound, few tricks here and there with memorable guitar solos, excellent drum work and why not to mention it, an incomparable vocal performance by Trevor perhaps the best that he has been able to deliver to date, I dare not say it is the best album by The Black Dahlia Murder, rather it is an album that uses its best weapons to attack the audience, something that is very prudent and leaves us wanting something better for the future.

Stay True... Stay Metal... Stay Brutal...


Track List:

01. Widowmaker
02. of God and Serpent, Of Spectre and Snake
03. Matriarch
04. Nightbringers
05. Jars
06. Kings of the Nightworld
07. Catacomb Hecatomb
08. As Good as Dead
09. The Lonely Deceased



Metal Blade Records

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