Showing posts with label Black metal. Show all posts
Showing posts with label Black metal. Show all posts

Jan 31, 2019

Valkyrja (2018) Throne Ablaze 'Review'


Band: Valkyrja
Country of Origin: Sweden
Genre: Black metal
Type: Full Length
Format: CD Digipak
Length Approx.: 47:00 min.
Release Date11-26-2018
Release Label: World Terror Committee

IR Classification: Good (4.4 / 5)


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Unleash an exquisite tidal wave of moody but aggressive Black Metal.

The year 2018 left us with great works of musical art, and many great records were unjustly ignored, mainly because of the over-saturation of bands, but believe me, if we search a little bit closer, we will find albums that clearly stand out from the competition, probably because they are innovative or simply because they stick to their tried-and-tested formula, perfecting their craft to achieve outstanding results.

Such is the case with Valkyrja and their 2018 opus, “Throne Ablaze”, a fantastic Black Metal record that I overlooked but after a friend shared their music with yours truly, I became enamored with their potent and moody riffing style, which clearly evokes an amalgamation of emotions, without resorting to senseless blasting from track to track.


This is the type of Black Metal that emphasizes brooding and bleak atmospheres, accompanied by great riffs and drum work that does not exaggerate the use of blast-beats, but rather than that, the drum work has the aura and mood of almost a voodoo ritual, that is, hypnotic, pounding, almost ritual-like.

After the album begins with a somewhat strange intro made up of distorted guitars and effects, we are exposed to “Crowned Serpent”, a blistering assault of catchy riffs accentuated by magnificent drum work that combines blasting with great rolls and fills, adding a nice guitar solo to enhance the composition. This is a strong opener.
I need to point out that the vocals are clear and understandable, despite their raspy style, so not only the musical part is crafted in sensational fashion, but the voice also acts as an instrument that demands attention from the listeners.

The third track, “Opposer of light” is a great example of slow and heavy tempos, with occasional bursts of speed. Personally, I feel that the slower and doomier tempos are standouts on this record. It is as if they prevented this album from exhausting the listener from having to deal with so much brutality, and this reduction of speed just allows the musical hypnosis to do its task.

One of the tracks, “Transcendental Death”, is what I personally feel is the greatest manifestation of Valkryja’s musical essence. The reason why I greatly enjoy this track is the malevolent riffing at the early stages. It is very much in the vein of a ritual, as a diabolical chant transmitted through the guitars. This track does not shy away from its moments full of uncontrolled speed, but it goes back to its eerie beginning, with a great guitar solo paving the way.

The closer, which is the title track, is pure magnificence, with some operatic chants setting an abysmal mood, only for the guitars to start building up the aural assault at a slow pace. This track is absolutely phenomenal, due to its combination of slow, but heavy riffage and the atmospheric drum work, complementing each other to unleash an exquisite tidal wave of moody but aggressive Black Metal.



To sum it up, this record is fantastic. The combination of slow and heavy guitar work, with varied drumming, as well as a crystal-clear but aggressive vocal performance is top-notch. Lyrically, this album deals with occultism and things best not invoked, but I personally think that the aura of genuine and loyal devotion to real Black Metal is omnipresent. We are not dealing with clownish Black Metal, but music that speaks from the putrid heart, awesome album!

Stay True… Stay Metal… Stay Brutal…

Written by: Juan Jose Montiel

Track List:

01. In Ruins I Set My Throne (Instrumental) │ 02. Crowned Serpent │ 03. Opposer of Light │ 04. Tombs into Flesh │ 05. Halo of Lies │ 06. Transcendental Death │ 07. Paradise Lost │ 08. Throne Ablaze


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Jan 16, 2019

Profanatica (2018) Altar of the Virgin Whore [EP] 'Review'


Band: Profanatica
Country of Origin: United States
Genre: Black / Death metal
Type: EP
Format: CD
Length Approx.: 20:00 min.
Release Date11-02-2018
Release Label: Hells Headbangers Records

IR Classification: Good (4.0 / 5)



Listen to our review! (English)
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Pure and unadulterated evil.

I still remember my first encounter with the mighty entity of Profanatica one of my friends come to me holding in hands their first EP entitled "Weeping in Heaven" and one of my favorite albums split of all time "Tormenting the Flesh" Profanatica / "Ola de Violencia" Masacre (Colombia) released in 1991 and 1992 respectively, since I heard them the first time I was attracted by their profane and singular sound, which at that time I could only compare it with the band Blasphemy from Canada.

The first line-up was formed by former Incantation members Paul Ledney behind the drums and vocals, Brett Makowski on guitars, Aragon Amori on bass who unfortunately passed away in 1996 due to health conditions and John Gelso on guitars who used to play with Paul in another band called Abomination from New York. Despite those brilliant releases, the band split around 1992 and I never again heard from them, but fifteen years later I find myself with a great surprise, in a local shop I found their first album  titled "Profanatitas Domonatia" and I ended up buying it immediately, without any second thoughts I just wanted to have it and when I listened to it, I felt that same rush in my blood like I felt fifteen years ago, I was blown away for the rawness and intensity caught, the malignancy and disobedience portrayed in almost forty minutes.



So far they have released four demo-tapes, four full-length albums, three splits albums, a pair of compilations and five EP including the one we are about to talk about today, "Altar of the Virgin Whore", this extended play includes eight tracks that last approximately twenty minutes some tracks are extremely short and that might be one of the unconformities here, the first track "Conceived With Sin" comes in such form with aggressive riff and strong blast beats it sounds darker and evil while the vocals are overwhelming malignant, "Prayer in Eclipse" sounds very hunting and demoniac getting things in shape for a total possession, then comes the self-titled track "Altar of the Virgin Whore" starts off with a deep cavernous voice shouting loud the title track making a stunning delivery with ferocious drums and corrosive guitar riff, "Crucifixion Wounds" is damned for the nauseating guitar distortion, while the bass sounds filthy and grim as hell creating a just good enough atmosphere for the raw vocals, "Thorn King" is substantially short but loaded in a stench of hate, "Sacred Code Broken" rapidly takes you to the most unpleasant places with cutting razor-sharp guitar riff, to crush your soul with no remorse or whatsoever, the vocals are impressive and furious keeping the pace as pummeling the drums, "Fuck the Messiah" does a really good job retaining your attention taking a different approach without any over structured songwriting rather going into a more simplistic but profane and belligerent, the closing track is the instrumental "He Has Risen" where you can see them taking a sinister and doomy path were the malignancy prevails and rotting whatever comes to it forever.



To conclude "Altar of the Virgin Whore" it happens to be a good album full of a menacing guitar riff, infernal blast beat everywhere, pure and unadulterated evil, the rawness is crushing and captivating at the same time; However, the downside of this recording comes to be the length, it is to short and few tracks, in my opinion, need more attention to fully achieve the impact they should have.

Stay True… Stay Metal… Stay Brutal…™

Track List:

01. Conceived with Sin │ 02. Prayer in Eclipse │ 03. Altar of the Virgin Whore │ 04. Crucifixion Wounds │ 05. Thorn King │ 06. Sacred Code Broken │ 07. Fuck the Messiah │ 08. He has Risen


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Oct 31, 2018

Realm of Wolves (2018) Oblivion 'Review'


Band: Realm of Wolves
Country of Origin: Hungary
Genre: Atmospheric Post Black metal
Type: Full Length
Format: Digital 320 kbps
Length Approx.: 40:00 min.
Release Date10-19-2018
Release Label: Independent

IR Classification: Good (4.4 / 5)



Listen our review! (English)
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A nostalgic vibe to rumble your inner self.

Realm of Wolves is hailing from Hungary, the band plays an addictive and captivating Atmospheric Post Black metal that is very influenced by epic shoegazing sound while delivering a varied landscape of depressive melodies that are well intertwined with Post-rock elements which allows them to reach heavier moments. this three-member band comes with Ghöul and Stvannyr bassist and guitarist respectively from the Post-rock band Silent Island, with Vvildr multi-instrumentalist from the Post-Black metal solo project Vvilderness, but now taking duties as vocalist and drummer; The outcome of this mix is exquisite.



Realm of Wolves have entitled their debut album "Oblivion," which contains seven tracks barely reaching over forty minutes with some of the subtlest tones within the genre, but also adding the exact amount of intensity and strength to elevate each of the tracks to a level beyond expectations. The first track "Cascadia," starts with smooth guitar work that evolves immensely thanks to the proper wall of sound provided as a background, which battles in intensity just enough to engage full attention at first listening. It is followed by "Ignifier" with a bold guitar tone that tries to keep up the ambience from the beginning, while "Old Roots" shifts the gears into a more Black metal section with a solid blast beat before taking back their passive and melodious sound, "Translucent Stones" brings back that eerie feeling of perpetual loneliness that is very appreciated by some and ignored by others. "Twelve Miles to Live" at some point it reaches those prominent sounds that were well played by Agalloch or Wolves in Throne Room. "Into the Woods of Oblivion" is the longest track in this album over nine minutes, but still delivering with such passion and energy, the bass lines sound dense and pretentious, but unforgettable with a subtle interlude that prepares once again an energetic take off to nowhere, the last track in this album is "Northern Wind," besides the guitar work which is simple, but exceptional along the whole album, the bass lines adopt their own personality with a bolder and daring sound that lets your imagination play on its own.



As I stated previously, Realm of Wolves happens to be a brilliant fusion of talented people with a solid vision. It might not be something new, but it is a pretty good structure with their songwriting from beginning to end, the timing, the speed at the end everything here sounds simply great! A delightful independent debut album, I might be late with this review and others, but I'm trying to give credit to whoever deserves it.

Stay True… Stay Metal… Stay Brutal…


Track List:

01. Cascadia (Instrumental) │ 02. Ignifer │ 03. Old Roots │ 04. Translucent Stones (Instrumental) │ 05. Twelve Miles to Live │ 06. Into the Woods of Oblivion │ 07. Northern Wind 


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Oct 23, 2018

Sargeist (2018) Unbound 'Review'


Band: Sargesit
Country of Origin: Finland
Genre: Black Metal
Type: Full Length
Format: CD
Length Approx.: 47:00 min.
Release Date10-11-2018
Release Label: World Terror Committee 

IR Classification: Good (4.2 / 5)



Listen our review! (English)
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Is undoubtedly brilliant, intense and darker.

Sargeist hailing from Finland finally has returned after four years of absence, their newest album entitled "Unbound" delivers a production to clean but threatening allowing the sound to be more inflictive giving us peace of mind, because honestly after the release of their previous work back in 2014 "Feeding the Crawling Shadows" which didn't met the level achieved at "Let the Devil In" in 2010 in my opinion the best you can listen from this band so far or at least that was my opinion before to listen their newest production.



So let's take a closer look, First impression always count and "Psychosis Incarnate" gets you in such atmospheric maze and gloomy melodies the folky passage gives an incredible dimension, frantic drums and the low guttural growls make this track a must have in your playlist, "The Bosom of Wisdom and Madness" ravaging without mercy, intense guitar riff, the drumming brings a relentless blast beat and everything here sounds perfect, "Deaths Empath" starts with a more melodic groove style, quickly evolves into a more darker sound more according to its nature, while "Hunting Eyes" shift the pace to a slower track approaching more to the depressive style with sick melodies, "Her Mouth Is an Open Grave" rapidly digs into the earlier Sargeist style raw and morbid alike to the Old School Black metal, "Unbound" will caught you off place with such joyful folkish passages, occasionally builds intensity with those fast pace injections, "Wake of the Compassionate" it unleash a hellish blast beat alongside the punishing guitar riff while the growling vocals match perfectly, the last track is "Grail of the Pilgrim" it is disturbingly exciting in the classic style of Sargeist, somber and unapologetic.



"Unbound" is undoubtedly brilliant, intense and darker, the album captures the most extreme and dense creativity and reaffirm Sargeist as one of the most outstanding acts within the Black metal scene, this album you must have it, no excuses allowed!

Stay True… Stay Metal… Stay Brutal…


Track List:

01. Psychosis Incarnate │ 02. To Wander the Night's Eternal Path │ 03. The Bosom of Wisdom and Madness │ 04. Death's Empath │ 05. Hunting Eyes │ 06. Her Mouth Is an Open Grave │ 07. Unbound │ 08. Blessing of the Fire-Bearer │ 09. Wake of the Compassionate │ 10. Grail of the Pilgrim


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