Showing posts with label Napalm Records. Show all posts
Showing posts with label Napalm Records. Show all posts

Jan 31, 2019

Unleashed (2018) The Hunt for the White Christ 'Review'


Band: Unleashed
Country of Origin: Sweden
Genre: Death metal
Type: Full Length
Format: CD Digipak Ltd. Edition
Length Approx.: 42:00 min.
Release Date10-26-2018
Release Label: Napalm Records

IR Classification: Excellent (4.5 / 5)



Listen to our review! (English)
© Insanity Remains Webzine.



                   






A good slab of punishing and catchy, old-fashioned Death Metal.

One of Sweden’s “Big Four” of Death Metal, Unleashed have returned with a new opus, entitled “The Hunt for the White Christ”, and the best way to describe this work is “a good slab of punishing and catchy, old-fashioned Death Metal.” Now, don’t get me wrong: when I say that this is old-fashioned Death Metal is not in the sense that they are relying on the nostalgia factor, but rather than that, they play with so much energy and enthusiasm, without getting rid of the catchiness, heaviness and punishing style that made them stand out since the very beginning.


The album kicks off with “Lead Us Into War”,  a song which I feel has enough potency to get your blood pumping and since the whole record has this sense of aggression throughout each of its eleven compositions, the band has crafted a record that contains enough melody to evoke scenes of warfare, Viking raids, and battles that would motivate listeners to put on their helmets and raise their swords.

Guitar solos abound on this record, but they are not crafted with the purpose of deafening the listener with a trillion notes per second, instead, they are meticulously placed at certain points of the compositions to emphasize mood and enhance the atmospheres.  Guitarists Tomas Olsson and Fredrik Folkare craft some great riffs that, as previously mentioned, combine melodious hooks and riffs that combine atmosphere and brutality, with sufficient catchiness that will grab your attention.

Meanwhile, bassist Johnny Hedlund and drummer Anders Schultz create a solid backbone behind the guitar attack. Johnny also handles the vocal duties, which come off clear and understandable, without losing its aggressive rasp and commanding tone. When it comes to the drum performance, Anders does not lose speed, but rather than just pounding the hell out of the snare drum, his kit work is full of rhythmical variety, working with the guitars to elaborate a scenario that matches the common theme of each song.

Speaking of scenarios and imagery, I need to point out that the greatest example of how the guitars create the sinister atmosphere, comes in the tracks ¨By the Western Wall¨, ¨Terror Christ¨, and ¨You Will Fall¨, My goodness; these tracks have these great guitar riffs that sound so menacing and hostile as if they serve as a prelude before a bloody battle. Just amazing. 



Overall, I believe Unleashed have delivered a punishing lesson on how Death Metal should be done; destructive, catchy, with atmosphere and melody that retains enough brutality.  Outstanding work by this legendary outfit.

Stay True… Stay Metal… Stay Brutal…

Written by: Juan Jose Montiel

Track List:

01. Lead Us into War │ 02. You Will Fall │ 03. Stand Your Ground │ 04. Gram │ 05. Terror Christ │ 06. They Reaped the Land │ 07. The City of Jorsala Shall Fall │ 08. The Hunt for White Christ │ 09. Vidaurgelmthul │ 10. By the Western Wall │ 11. Open to All the World


Share us!

All rights reserved © Insanity Remains Webzine.

Sirenia (2018) Arcane Astral Aeons 'Review'


Band: Sirenia
Country of Origin: Norway
Genre: Symphonic / Gothic Metal
Type: Full Length
Format: CD Digipak
Length Approx.: 59:00 min.
Release Date10-26-2018
Release Label: Napalm Records

IR Classification: Good (3.5 / 5)



Listen to our review! (English)
© Insanity Remains Webzine.



                   






A challenging task to appreciate countless embedded elements.

I will be very honest with you; I am not a fan of Gothic Metal, period. While there have been albums/bands from that genre that have caught my attention, there have been others that simply don’t do it for me.  There have been plenty of reasons behind my displeasure, whether it may be the overproduction, excessive amounts of elements that make me lose the attention, overwhelming keyboard sections, you name it. But, hey, I have thought to myself that I cannot judge without giving a shot to bands of that style, so here I am reviewing the latest opus from Sirenia.


The opener, “In Styx Embrace” has some good riffs as well as a potent chorus section, accompanied by female, operatic vocals. The masculine voices have this aggressive vibe to them, but there are moments when the keyboards don’t do it for me. They get buried with the overwhelming effects and vocals, but it is in the quieter moments when they stand out, as well as with the acoustic guitars.

“Into the Night” has a quiet and melodious piano section, before the guitars and vocals make an act of presence. Here, the guitars have a groovy feeling, accentuated by an energetic guitar solo.  The combination of masculine and feminine operatic vocals compliments the music, making this track enjoyable, with the drums adding the groove and classic piano lines wrapping things up.

“Love like Cyanide” has this romantic and classy vibe to it with poppy melodies spread throughout the track, but surprise surprise; the album has a section where the guitar riffs evoke a somewhat sad feeling, only to give way to the choruses and closing it with a classical string section.

The track “Nos heures sombres” has some strange effects and this is where I have noticed that the bass stands out, mainly in the quieter sections. Here, the tempo slows down and this song has a groovy feeling, where the great vocal variations set a nice mood, not shying away from catchiness.

In contrast, “The Voyage” starts with a somewhat aggressive guitar section, accompanied by slow but captivating drums. Vocally, there is a sense of sadness, and I noticed that at certain moments, the sadness of the vocals was almost being replicated by the drums. But those effects and samples are a little bit irritating. I think that in this track, the combination of guitar work and drums, as well as the vocals, could’ve been more than sufficient, but the operatic vocals are just a little too much.

The last three tracks commit, in my opinion, the crime of overkill. I felt as if the tracks had way too much going on in them, that there were instants when I just wanted the band to stick to good riffs and the occasional melodic section but they added, in my opinion, lots of unnecessary elements for the sake of adding a majestic touch.



To sum it up, this record is not that bad, per se, but it does have a fair share of flaws. Again, I feel as if the inclusion of excessive elements, such as the samples, monumental operating vocals and extending some of the tracks for far too long make it a hard and exhausting to hear. "Arcane Astral Aeons" it must listen with plenty of time due to the magnitude because it might take a while for you to be able to absorb and noticed all the things that are taking place at the same time.

Stay True… Stay Metal… Stay Brutal…

Written by: Juan Jose Montiel

Track List:

01. In Styx Embrace │ 02. Into the Night │ 03. Love like Cyanide │ 04. Desire │ 05. Asphyxia │ 06. Queen of Lies │ 07. Nos heures sombres │ 08. The Voyage │ 09. Aerodyne │ 10. The Twilight Hour │ 11. Glowing Embers │ 12. Love Like Cyanide (Edit)*


Share us!

All rights reserved © Insanity Remains Webzine.

Jan 19, 2019

Legion of the Damned (2019) Slaves of the Shadow Realm 'Review'


Band: Legion of the Damned
Country of Origin: Netherlands
Genre: Death / Thrash metal
Type: Full Length
Format: CD
Length Approx.: 38:00 min.
Release Date01-04-2019
Release Label: Napalm Records

IR Classification: Good (4.3 / 5)



Listen to our review! (English)
© Insanity Remains Webzine.



                   






Slaves of the Shadow Realm is by itself a destructive gust.

For many, Legion of the Damned doesn't mean a lot and usually they are overlooked, but the truth is hidden because of drummer Erik Fleuren and vocalist Maurice Swinkels when they started off their career with their first band called Occult from the Netherlands around 1992 and under this name, they were able to release five full-length albums from 1994 up to 2003. Due to unknown reasons, the band name was changed to Legion of the Damned. So far, they have released a total of seven albums including their latest album entitled "Slaves of the Shadow Realm" that was released a few days ago.


Legion of the Damned plays a very aggressive and riff-driven thrash with an utter death feel as few bands have been able to achieve like Sodom, Destruction, and Kreator with some rawness of early Slayer sound. The band currently is formed by drummer Erik Fleuren, the vocalist Maurice Swinkels, bass player Harold Gielen (Inhume) and guitarist Twan van Geel (Soulburn).


"Slaves of the Shadow Realm" is by itself a destructive gust holding nine tracks that barely reach the thirty-eighth minute mark. Leading this attack comes "The Widow's Breed," it blasts your speakers due to the heated guitar riff with ferocious snarling vocals which at some point throw me back to the "Agent Orange" era of Sodom. The next track is "Nocturnal Commando" which delivers such a sense of animosity and punishment for the intense blast beats and the corrosive guitar riffs that were played by Teutonic masters of Kreator. Then come "Charnel Confession," which keeps the tone and pace as the previous track with blistering drums and a crushing riff, the entangling vocals are always at its top range that delivers the right feeling. "Slaves of the Southern Cross" takes a slower and rhythmic approach, but it sounds heavy, sharp and punitive like Destruction does. "Warhounds of Hades" grabs the sledgehammer and practically smashes your brain with such an instigator guitar riff that it achieves a rawness that I can only compare to Slayer beginnings. Then comes "Black Banners in Flames," which brings a fresh feeling to the album due the old school harsh riff suchlike Sodom and Kreator and I mean it, "Shadow Realm of the Demonic Mind" seems like shifting things away from its natural path because the exquisite piano introduction, but soon as it ends, the slaughter begins lashing out with their axes and beheading everyone around when the drumming turns intense and devastating, while the galloping guitar riff comes effectively to complement this track. "Palace of Sin" again retakes the rawness and aggressivity scourged similarly like "Hell awaits" from Slayer or "Endless Pain" by Kreator, the last track in the CD version is "Dark Coronation / Outro" it's not exactly what I was waiting for to end this album, I missed the intensity in the drums, I missed those sharp riffs that they showed throughout the album, vocally it is not so effusive or outstanding.



"Slaves of the Shadow Realm" brings up a pleasant vibe, currently a few bands like Legion of the Damned are capable of creating a Death / Thrash metal just as they do it, the album carries a great variety of inspiring riffs and don’t forget the drums which were very engaging and precise, while the vocal department doesn't have much to complain because Swinkels knows how to fit smoothly on each track. The negative, is the CD version is to short, so go for the limited edition which includes two bonus tracks "Priest Hunt" and "Azazel's Crown," the other unfavorable point is the closing track, which wants me seeking more unrelenting forcefulness.

Stay True… Stay Metal… Stay Brutal…

Track List:

01. The Widows Breed │ 02. Nocturnal Commando │ 03. Charnel Confession │ 04. Slaves of the Southern Cross │ 05. Warhounds of Hades │ 06. Black Banners in Flames │ 07. Shadow Realm of the Demonic Mind │ 08. Palace of Sin │ 09. Dark Coronation / Outro


Share us!

All rights reserved © Insanity Remains Webzine.

Oct 28, 2018

Skálmöld (2018) Sorgir 'Review'


Band: Skálmöld
Country of Origin: Iceland
Genre: Folk metal
Type: Full Length
Format: CD Digipak
Length Approx.: 54:00 min.
Release Date10-12-2018
Release Label: Napalm Records

IR Classification: Good (4.0 / 5)



Listen our review! (English)
© Insanity Remains Webzine.



                   






They project their ferocity and aggressiveness brilliantly.

Skálmöld is bringing their fifth full length titled "Sorgir," which means (Sorrow) and as they are accustomed to their lyrics in their native language Icelandic, I find it hard to ignore all their previous recordings especially "Börn Loka" (Loki's Children) released in 2012 because of it's unique sound and wonderful melodies overflowing along the album, contrasting with the epic raw vocals and chants, making it hard to escape from their sound, moving us on their latest album we can appreciate a wrapping dynamic.



The album lasts about fifty-four minutes including nine tracks, all of them are well structured with an anthem feeling, great guitar solos, vigorous drum work to match perfectly the rhythmic section, neat bass lines and of course chants! lots of them backing up the unforgettable harsh vocals, I have not taken the time to translate the songs, but I wouldn't surprise at all for its content. Another great Viking story, the first track "Ljósið " (The Light) has a solid crushing riff which is repetitive in some way, but not annoying, "Sverðið" (Sword) slows down the pace and approaches us more with a grief feeling and the choirs are full of regret. "Brúnin" (The Edge) once again picks up the intensity with a tremendous riff and a superb guitar solo, the drumming is effective as well as simple. "Skotta" is another great song here they display a powerful collective chant very emotive, "Gangári" (Gangs) has a catchy melodic riff, something you will enjoy. "Móri" seriously feels like it doesn't belong to this album in my opinion, it sounds very repetitive, tedious and also long. Then comes "Mara," it could be suffering the same symptoms as the previous track, however this track is more energetic, versatile and keeps you engaged with its folk vibe and a the most beautiful guitar solo in the album. The closing track in the Digipack version is "Höndin sem veggina klórar" (The Hand that Scratches the Walls) is subtle containing the fury that carries with itself, sounds heavy and vastly inspired.



Skálmöld is one of the few bands that knows how to project their ferocity and aggressiveness brilliantly. Something that has been there from the very beginning, they know how to handle and deliver each note, sometimes in a dropper and sometimes a full and stimulating dose, I can tell you this "Sorgir" is absolutely a good album. Musically seems like they have decided to expand their songwriting spectrum, adding more thrashy riffs and grooves in their rhythmic section, but without losing their own identity; However, there are few issues (repetitiveness and length) that forbid me to rank higher this album.

Stay True… Stay Metal… Stay Brutal…


Track List:

01. Ljósið │ 02. Sverðið │ 03. Brúnin │ 04. Barnið │ 05. Skotta │ 06. Gangári │ 07. Móri │ 08. Mara │ 09. Höndin sem Veggina Klórar


Share us!

All rights reserved © Insanity Remains Webzine.

Oct 7, 2018

Wolfheart (2018) Constellation of the Black Light 'Review'


Band: Wolfheart
Country of Origin: Finland
Genre: Melodic Death Metal
Type: Full Length
Format: CD Digipak
Length Approx.: 42:00 min.
Release Date09-28-2018
Release Label: Napalm Records

IR Classification: Good (4.0 / 5)



Listen our review! (English)
© Insanity Remains Webzine.



                   






This is not the work of causation.

The Finnish band Wolfheart has returned with their newest album entitled "Constellation of the Black Light," and mastermind Tuomas Saukkonen is behind this impressive album, just five years ago the idea was conceived and now Wolfheart with four albums under his belt, this band have been consolidated within the melodic death metal scene and nowadays there are not many places where they reserve the right to comment on this band, this is not the work of causation, rather it is because persistence and consistency, the key that has opened doors to this formidable band.

The band is complemented by drummer Joonas Kauppinen, bassist Lauri Silvonen and guitarist Mika Lammassaari, this line-up has remained stable since 2014 when Tuomas Saukkonen ceased his activities in all his bands and previous projects (Before the Dawn, Black Sun Aeon and Dawn of Solace) to focus and develop the Wolfheart project as a full-time band.


"Constellation of the Black Light" brings together the classic sound of Wolfheart, the fine atmospheric passages able to transmit the coldest emotions, the down tuned guitar emanating a melancholic riff that drives you through your deepest and twisted feelings. Adding some truthful and intense death metal hooks, that’s enough to retain your attention for the next forty two minutes, the first piece "Everlasting Fall" has a grim acoustic guitar tone that are just the prelude before to kneel down to the immensity and magnitude delivered between an ambitious and entangling track, "Breakwater" comes with a fast melodic tremolo guitar and blasting drums while the growl and raspy vocals remain the same as previous recordings, but more reliable at interpretation, "The Saw" built in a folkish vibe full of melodies shifting pace and intensity majestically which make me feel more earth attached, "Forge with Fire" and "Defender" is truly a punch for its explosiveness both packed with extensive melodies, "Warfare" kicks off with an energetic drumming paired with overwhelming guitars and the last track is "Valkyrie" infused with an epic melancholic feeling carrying a beautiful aggression and unforgettable blasting.



The uniqueness of Wolfheart at songwriting goes beyond your expectations, the production is great, clear and tight, once again the band have proven their quality and endless inspiration, renewing effortlessly their legacy, if you are not familiar with Wolfheart well, this is a good point to start in a retrospective way.

Stay True… Stay Metal… Stay Brutal…


Track List:
01. Everlasting Fall │ 02. Breakwater │ 03. The Saw │ 04. Forge with Fire │ 05. Defender │ 06. Warfare │ 07. Valkyrie


Share us!

All rights reserved © Insanity Remains Webzine.