Showing posts with label Excellent. Show all posts
Showing posts with label Excellent. Show all posts

Jan 31, 2019

Unleashed (2018) The Hunt for the White Christ 'Review'


Band: Unleashed
Country of Origin: Sweden
Genre: Death metal
Type: Full Length
Format: CD Digipak Ltd. Edition
Length Approx.: 42:00 min.
Release Date: 10-26-2018
Release Label: Napalm Records

IR Classification: Excellent (4.5 / 5)



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A good slab of punishing and catchy, old-fashioned Death Metal.

One of Sweden’s “Big Four” of Death Metal, Unleashed have returned with a new opus, entitled “The Hunt for the White Christ”, and the best way to describe this work is “a good slab of punishing and catchy, old-fashioned Death Metal.” Now, don’t get me wrong: when I say that this is old-fashioned Death Metal is not in the sense that they are relying on the nostalgia factor, but rather than that, they play with so much energy and enthusiasm, without getting rid of the catchiness, heaviness and punishing style that made them stand out since the very beginning.


The album kicks off with “Lead Us Into War”,  a song which I feel has enough potency to get your blood pumping and since the whole record has this sense of aggression throughout each of its eleven compositions, the band has crafted a record that contains enough melody to evoke scenes of warfare, Viking raids, and battles that would motivate listeners to put on their helmets and raise their swords.

Guitar solos abound on this record, but they are not crafted with the purpose of deafening the listener with a trillion notes per second, instead, they are meticulously placed at certain points of the compositions to emphasize mood and enhance the atmospheres.  Guitarists Tomas Olsson and Fredrik Folkare craft some great riffs that, as previously mentioned, combine melodious hooks and riffs that combine atmosphere and brutality, with sufficient catchiness that will grab your attention.

Meanwhile, bassist Johnny Hedlund and drummer Anders Schultz create a solid backbone behind the guitar attack. Johnny also handles the vocal duties, which come off clear and understandable, without losing its aggressive rasp and commanding tone. When it comes to the drum performance, Anders does not lose speed, but rather than just pounding the hell out of the snare drum, his kit work is full of rhythmical variety, working with the guitars to elaborate a scenario that matches the common theme of each song.

Speaking of scenarios and imagery, I need to point out that the greatest example of how the guitars create the sinister atmosphere, comes in the tracks ¨By the Western Wall¨, ¨Terror Christ¨, and ¨You Will Fall¨, My goodness; these tracks have these great guitar riffs that sound so menacing and hostile as if they serve as a prelude before a bloody battle. Just amazing. 



Overall, I believe Unleashed have delivered a punishing lesson on how Death Metal should be done; destructive, catchy, with atmosphere and melody that retains enough brutality.  Outstanding work by this legendary outfit.

Stay True… Stay Metal… Stay Brutal…™

Written by: Juan Jose Montiel

Track List:

01. Lead Us into War │ 02. You Will Fall │ 03. Stand Your Ground │ 04. Gram │ 05. Terror Christ │ 06. They Reaped the Land │ 07. The City of Jorsala Shall Fall │ 08. The Hunt for White Christ │ 09. Vidaurgelmthul │ 10. By the Western Wall │ 11. Open to All the World


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Jan 15, 2019

Serocs (2018) The Phobos / Deimos Suite 'Review'


Band: Serocs
Country of Origin: Mexico, France, Canada
Genre: Brutal Technical Death metal
Type: Full Length
Format: Digital 320 kbps
Length Approx.: 46:00 min.
Release Date: 10-26-2018
Release Label: Everlasting Spew Records

IR Classification: Excellent (4.7 / 5)



Listen our review! (English)
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Serocs unchain the most extreme brutality.

Serocs has been grown beyond any expectation from being a mere solo project born in Guadalajara, Mexico to become in one of the most successful international partnership acts of Brutal Technical Death Metal that underground scene has seen in a long time, their style is very influenced by bands like Cryptopsy who's unfortunately are no longer in that musical line, Spawn of Possession who were split two years ago and the extinct and deeply missed Necrophagist, only to mention a few of them.

Serocs current formation consists of Antonio Freyre on guitars, Phil Tougas (Chthe'ilist) on guitars, Antoine Daigneault (Chthe'ilist) on bass, Kévin Paradis (Benighted) on drums and Laurent Bellemare (Basalte) on vocals "The Phobos / Deimos Suite" is an album composed by songs written during the last ten years. So, these tracks will be like a walk through their entire career and maybe this could be the secret that makes this album exciting.




"Being" opens this album despite being short is exuberant with a layered riff well-executed proving their technical skills the storming drum work stands out, "Thanatophobia" is the third track in the album and believe me, from the very first moment it sounds explosive and set the listeners into a whirlwind of endless aggression with a ruthless roaring, at a certain point is impossible not to hear their influences and all the sudden feel that refreshing wave taking over and "Oneirology" comes to be a truly delightful piece with pummeling drums and a deeper bass that offers an overwhelming  dynamism, the guitars deliver a slaughter well reinforced by the guttural vocals, "Lethe" create a unique atmosphere only to welcoming the next track "SCP-106" provides a great technical performance but the vocals are crushing then is followed by "Nonbeing" is brilliant and insane at the same time the gorgeous signature riff are eloquent and help to keep things spiced up towards the end, "Deimos" is an odyssey extremely well-conceived, the arrangements are fierce and again their technical skills are put to the test and the result is exceptional as brutal, riff that shatters and re-shape masterfully into a pragmatic chaos.



To sum up, Serocs has accomplished their best record so far, "The Phobos / Deimos Suite" holds a solid concept, the songwriting is faultless, the production is clean but stands out every instrument, everything here sounds neat, it turns hard to point out any flaws when these guys unchain the most extreme brutality and they pack it with the most refined technique, if you are a real follower of the style then this is an album you shouldn't miss.

Stay True… Stay Metal… Stay Brutal…™

Track List:

01. Being │ 02. Nihilus │ 03. Thanatophobia │ 04. Rem(nants) │ 05. Oneirology │ 06. Revenants │ 07. Lethe │ 08. SCP-106 │ 09. Nonbeing │  10. Deimos


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Jan 9, 2019

Gorod (2018) Æthra 'Review'


Band: Gorod
Country of Origin: France
Genre: Technical Death metal
Type: Full Length
Format: CD
Length Approx.: 44:00 min.
Release Date: 10-19-2018
Release Label: Overpowered Records

IR Classification: Excellent (4.5 / 5)



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Tech Death Metal of the highest class.

"Æthra" comes to be the sixth full length album from the masters of Technical Death metal Gorod and it doesn't matter how you look at it, the band achieved to print an exuberant, well defined and powerful record, landing near the grounds of "Leading Vision" released back in 2006.

Gorod is clearly a band that has set themselves apart, evolving gradually while expanding their songwriting spectrum and their amazing musicianship level. The precision and sharp riffs that Pascal and Alberny delivers is simply awesome, while the synchronization accomplished by Diers with it's devastating drums here goes beyond recognition, Claus proves his virtuosity on the four strings superbly and the majestic vocals of Deyres going from intimidating growls to throaty screams. All of this makes "Æthra" an outstanding album. "Wolfsmond" is the first track and grabs you from the beginning with its intrepid and irreverent hardcore style. It's followed by "Bekhten's Curse" which is brilliant and has chaotic guitar work that makes this track superb. "Aethra" delivers a rough monotonous and progressive melody found within the sludge style and "The Sentry" keeps exploring the same path adding more complex progressive elements to highlight the track. "Hina" hammers the drums in an exponential manner, while the vast guitar work has an unusual diversity and pace that wouldn't let you get away. The next track is "And the Moon Turned Black," this song doesn't lose its grindstastics, with elements spiced nicely with a ponderous and unique technique. "Chandra and the Maiden" doesn't sound opulent, but devastating up to the roots, the guitar work sounds compact, giving the listener a taste of their madness and dissonant rush. "Goddess of Dirt" launches a hyper-speed riff which melds with energetic slow parts to end up with that ultra-speed again. Then comes "Inexorable" which tackles down with a semi slow pace, but vibrant riffing with a bountiful texture. The drum section delivers an unquestionable precision. The last track is "A Light Unseen," it sounds hysterically persistent, throwing away a load of unique techniques that are difficult to compare, the vocal part throughout the whole album are simply intimidating and fearless.



Gorod definitely surpasses any of my predictions, if "A Maze of Recycled Creeds" back in 2015 fulfills my needs and expectations; then "Æthra" clearly stands by itself almost like a masterpiece with an exceptional songwriting, varied, without the boredom other bands incur. In my opinion, this is a total hit within the genre, technical or brutal however you like it, you will not be disappointed.

Stay True… Stay Metal… Stay Brutal…™


Track List:

01. Wolfsmond │ 02. Bekhten's Curse │ 03. Æthra │ 04. The Sentry │ 05. Hina  │ 06. And the Moon Turned Black │ 07. Chandra and the Maiden │ 08. Goddess of Dirt  │  09. Inexorable │ 10. A Light Unseen


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Oct 10, 2018

Anaal Nathrakh (2018) A New Kind of Horror 'Review'


Band: Anaal Nathrakh
Country of Origin: United Kingdom
Genre: Industrial Black Metal / Grindcore
Type: Full Length
Format: CD
Length Approx.: 33:00 min.
Release Date: 09-28-2018
Release Label: Metal Blade Records

IR Classification: Excellent (4.5 / 5)



Listen our review! (English)
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Anaal Nathrakh has done their best album so far in their career.

Tenth album called "A new Kind of Horror" from Birmingham, U.K. based band Anaal Nathrakh, has arrived like a stampede with its classic Industrial Black Metal dyed in its particular Grindcore style. This album grabs one of the most heart-wrenching world events that marked humanity and compiles all those feelings of anguish, fear and deep pain that brought World War I with itself, where hope meant everything and was the privilege for some. Anaal Nathrakh takes all that inspiration, from the battlefields, the bloody trenches and the inhuman use of chemical weapons for the first time, to give it shape with its unique style.



Anaal Nathrakh manages to majestically capture some of the most terrifying details in the history of wars, musically speaking in my opinion they surpass everything they had done previously or maybe it is only the lyrical content that moves the most sensitive fibers and makes you feel vulnerable. The album opens with a short but subtle intro "The Road to ..." which serves very well to receive "Obscene as Cancer" and immediately overwhelms you with its chaotic speed is full of riff and tremolo melodies, another great theme is "Forward!" with a deliberate use of a single-shot rifle, disturbing and dark lyrics and poisonous pace, next is "New Bethlehem / Mass Death Futures" by far! I feel that it is the best lyrical interpretation of the album with growls, screeches and symphonic vocals that are all combined in an excellent way, "The Horrid Strife" hooks you with a solid guitar riff to create a dark emotion, the last track is "Are We Fit for Glory Yet? (The War to End Nothing)" with an operatic arrangements and exuberant choirs they confront the atrocities without fear.



Arguably many will crucify "A New Kind of Horror" explaining how generic they sound by comparing to their latest albums. Everyone has their own opinion, mine is simple and honest. Anaal Nathrakh has done their best album so far in their career; structured with great riffs, brutal blast beats; with good industrial samples attached, grindcore-ish speed, excellent lyrics, also with an orchestration and choral beyond reproach, a very dynamic production, ending as the best album within its style.

Stay True… Stay Metal… Stay Brutal…


Track List:

01. The Road to… │ 02. Obscene as Cancer │ 03. The Reek of Fear │ 04. Forward! │ 05. New Bethlehem / Mass Death Futures │ 06. The Apocalypse Is About You! │ 07. Vi Coactus │ 08. Mother of Satan │ 09. The Horrid Strife │ 10. Are We Fit for Glory Yet? (The War to End Nothing)


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