Showing posts with label EP. Show all posts
Showing posts with label EP. Show all posts

Jan 16, 2019

Profanatica (2018) Altar of the Virgin Whore [EP] 'Review'


Band: Profanatica
Country of Origin: United States
Genre: Black / Death metal
Type: EP
Format: CD
Length Approx.: 20:00 min.
Release Date11-02-2018
Release Label: Hells Headbangers Records

IR Classification: Good (4.0 / 5)



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Pure and unadulterated evil.

I still remember my first encounter with the mighty entity of Profanatica one of my friends come to me holding in hands their first EP entitled "Weeping in Heaven" and one of my favorite albums split of all time "Tormenting the Flesh" Profanatica / "Ola de Violencia" Masacre (Colombia) released in 1991 and 1992 respectively, since I heard them the first time I was attracted by their profane and singular sound, which at that time I could only compare it with the band Blasphemy from Canada.

The first line-up was formed by former Incantation members Paul Ledney behind the drums and vocals, Brett Makowski on guitars, Aragon Amori on bass who unfortunately passed away in 1996 due to health conditions and John Gelso on guitars who used to play with Paul in another band called Abomination from New York. Despite those brilliant releases, the band split around 1992 and I never again heard from them, but fifteen years later I find myself with a great surprise, in a local shop I found their first album  titled "Profanatitas Domonatia" and I ended up buying it immediately, without any second thoughts I just wanted to have it and when I listened to it, I felt that same rush in my blood like I felt fifteen years ago, I was blown away for the rawness and intensity caught, the malignancy and disobedience portrayed in almost forty minutes.



So far they have released four demo-tapes, four full-length albums, three splits albums, a pair of compilations and five EP including the one we are about to talk about today, "Altar of the Virgin Whore", this extended play includes eight tracks that last approximately twenty minutes some tracks are extremely short and that might be one of the unconformities here, the first track "Conceived With Sin" comes in such form with aggressive riff and strong blast beats it sounds darker and evil while the vocals are overwhelming malignant, "Prayer in Eclipse" sounds very hunting and demoniac getting things in shape for a total possession, then comes the self-titled track "Altar of the Virgin Whore" starts off with a deep cavernous voice shouting loud the title track making a stunning delivery with ferocious drums and corrosive guitar riff, "Crucifixion Wounds" is damned for the nauseating guitar distortion, while the bass sounds filthy and grim as hell creating a just good enough atmosphere for the raw vocals, "Thorn King" is substantially short but loaded in a stench of hate, "Sacred Code Broken" rapidly takes you to the most unpleasant places with cutting razor-sharp guitar riff, to crush your soul with no remorse or whatsoever, the vocals are impressive and furious keeping the pace as pummeling the drums, "Fuck the Messiah" does a really good job retaining your attention taking a different approach without any over structured songwriting rather going into a more simplistic but profane and belligerent, the closing track is the instrumental "He Has Risen" where you can see them taking a sinister and doomy path were the malignancy prevails and rotting whatever comes to it forever.



To conclude "Altar of the Virgin Whore" it happens to be a good album full of a menacing guitar riff, infernal blast beat everywhere, pure and unadulterated evil, the rawness is crushing and captivating at the same time; However, the downside of this recording comes to be the length, it is to short and few tracks, in my opinion, need more attention to fully achieve the impact they should have.

Stay True… Stay Metal… Stay Brutal…™

Track List:

01. Conceived with Sin │ 02. Prayer in Eclipse │ 03. Altar of the Virgin Whore │ 04. Crucifixion Wounds │ 05. Thorn King │ 06. Sacred Code Broken │ 07. Fuck the Messiah │ 08. He has Risen


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Oct 31, 2018

Marche Funèbre (2018) Death Wish Woman [EP] 'Review'


Band: Marche Funèbre
Country of Origin: Belgium
Genre: Doom Death metal
Type: EP
Format: Digital 320 kbps
Length Approx.: 29:00 min.
Release Date10-14-2018
Release Label: Grimm Distribution

IR Classification: Good (4.4 / 5)



Listen our review! (English)
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Melancholic melodies and insane energy.

The Belgian band Marche Funèbre has been around since 2008, releasing a total of three full length and a previous EP. During the beginning of 2017, they released their third album titled "Into the Arms of Darkness" which in my opinion, is the best Doom Death metal album of that year, including epic tracks like "Deprived (into Darkness)", "Lullaby of Insanity" and "The Garden of All Things Wild," this production denotes the great level and skills at songwriting, that the band has achieved along the years and personally I was expecting to heard something new from them soon and here we are!



"Death Wish Woman" has four tracks clocking near the half hour of the most intense Doom Death metal, I'm sure it will get you with its melancholic melodies and insane energy. "Broken Wings" subtly opens the gates to the madness that carries with itself, Denis Lefevre delivers an exceptional drumming supported by the crushing guitars of Peter Egberghs and Kurt Blommé, deeper bass lines come by Boris Iolis, as well as the clean vocals and the growl vocals are brilliantly delivered by Arne Vendenhoeck. The second track is "Death Wish Woman" which kicks in with a versatile and intense drum work, the killer mid-pace riff takes the lead and sounds oppressive and punishing with flagrant and intimidating vocals that makes the track superb, then comes the epic track, "A Departing Guest" in the same pace as their previous songs, it shows clearly what this band is capable to do. Down tones the guitar riff to transmit a grievous feeling, the drumming are meticulously played while the atmosphere fogged painfully towards the end to bring back more colder and bitter vocals. In the last track Marche Funèbre, they go in with a cover from the band Paradise Lost, the chosen track is "As I Die," this is one of my favorite songs of all time. In the past, I have heard other bands covering this track Eternal Tears of Sorrow, which I like. Netherbird has a particular approach that makes it sounds unique, but Marche Funèbre gets a closer sound comparing to the original and for some reason it's catchy and I like it.



I want to conclude that "Death Wish Woman" is an excellent EP that offers only a small test of their creativity, no doubt this band will bring great surprises in the near future. Followers of the Doom Death sub-genre won't feel disappointed, this is a highly recommended band, avoid them if you like going for ultra-fast and making brutal noise, but if you here looking for a musical enrichment, this is a good start.

Stay True… Stay Metal… Stay Brutal…


Track List:

01. Broken Wings │ 02. Death Wish Woman │ 03. A Departing Guest │ 04. As I Die (Paradise Lost cover)


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Sep 11, 2018

Nirnaeth (2018) Across the Suffering [EP] 'Review'

Band: Nirnaeth
Country of Origin: France
Genre: Black / Death metal
Type: EP
Format: Digital 320 kbps
Length Approx.: 17:00 min.
Release Date08-01-2018
Release Label: Malpermesita Records

IR Classification: Moderate (2.5 / 5)





Listen our review! (English)
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Old School black metal  à la francaise.

French Black Death metallers Nirnaeth before their latest album released few days ago, which I unfortunately I haven't heard yet, they threw at us an EP entitled "Across the Suffering" with four demolishing tracks, two of them are included already in their newest full length which are "In Nomine Ego" and "Possession"; the first one takes you right away into a hellish pattern hard not follow, ripping guitar riffs, effusive vocals combined with a solid drum work. While the second track show us a semi fast pace built upon incisive guitar riffs, while the drums offer a classic blast beat.


"Inertia" is extracted from the 2009 album "Splendour of the Abyss," the track basically displays their roots into the old school black metal adding some melodies and finally "Nirnaeth Arnoediad," another retrospective track that lead you to their 2006 album debut "Thrown Athwart the Darkness," which is fast and malicious black metal melding death metal in their sound, the overall of this EP is acceptable and gives me good expectations to hear their latest album.

Stay True... Stay Metal... Stay Brutal...



Track List:

01. In Nomine Ego
02. Possession
03. Inertia
04. Nirnaeth Arneodiad

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Aug 12, 2018

Unanimated (2018) Annihilation [EP] 'Review'


Band: Unanimated
Country of Origin: Sweden
Genre: Melodic Death / Black metal
Type: EP
Format: Digital 320 kbps
Length Approx.: 21:00 min.
Release Date: 08-10-2018
Release Label: Century Media Records

IR Classification: Moderate (3.4 / 5)

Listen our review! (English)
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Simply rawness, frantic rhythm guitars and cavernous grunts pulled from hell.

It has been quite some time since we heard something new from this iconic Melodic metal band Unanimated, clearly underrated by media and fans within the genre, but I can't blame only one side, because in the other hand we have the inconsistency of the band due to personal issues, other projects, etc. which have prevented them to feed us with their malevolent music.

With just two demos and three albums, two of them for the extinct label, No Fashion Records, the first one in (1993) "In the Forest of the Dreaming Dead" the second in (1995) "Ancient God of Evil" and their most recent album in (2009) "In the Light of Darkness" for Regain Records, now they are delivering an EP entitled "Annihilation" which is only the preview for their upcoming album to be released in the next couple of months or beginning of 2019 for Century Media Records.


What we got here is simply rawness, frantic rhythmic guitars and cavernous grunts pulled from hell, "Adversarial Fire" is a fast-paced song, pursued by "From a Throne Below" is a mid-paced track, heavy and vertiginous, while "Of Fire and Obliteration" it clashes in discordance due to the acoustic guitar work which build at serene atmosphere with some backing chants and "Annihilation" it retakes their classic sound as one of the pioneers of Swedish  melodic death metal.

Aesthetically the production sounds very polished, clean without major flaws; It is very comfortable to have such of bands back again and even more when they have new material loaded with malice and melodies.

Stay True... Stay Metal... Stay Brutal...



Track List:

01. Adversarial Fire
02. From a Throne Below
03. Of Fire and Obliteration
04. Annihilation


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Aug 4, 2018

Throne (2018) Altar of the Dying [EP] 'Review'

Band: Throne
Country of Origin: US
Genre: Blackened Death metal
Type: EP
Format: Digital 320 kbps
Length Approx.: 24:00 min.
Release Date07-30-2018
Release Label: Independent

IR Classification: Moderate (3.4 / 5)





Listen our review! (English)
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A vertiginous offensive against you.

From Jackson, Michigan rises Throne, a band with a powerful Blackened Death metal. This quartet is made up of former members of the band Winterus, the band was established in 2015 by vocalist and guitarist Nathan Barnes and drummer Kollin Perpignani, supported by bass guitarist Leslie Drake and guitarist Joe Kesselring, with this line-up Throne starts working on the material for their first release.

"Altar of the Dying" is the title of Throne's first recording which contains seven tracks in digital EP format, it was recorded produced, mixed, and engineered at Bricktop Studios by Andy Nelson, the album artwork cover was designed by Brian Shehan (Wolvhammer).



It starts with an "Intro" which I don't understand quite a lot, it seems to me more like a truncated track that finishes as soon as it gets more interesting, after such an abrupt ending, it comes "Heresy of the Highest Order" it launches a vertiginous offensive against you, loaded with powerful guitar riffs, "Not of Shadow nor Fog" doesn't decrease the intensity displayed at all, they are really convinced at what they do and that means destroying you, outstanding are the jazzy bass lines almost at the end of the track, which is then followed by the self-album title song "Altar of the Dying" where everything here sounds perfect, ceaseless drums reflect the skills and forcefulness to enthrall you, while the vocals are flagrant against the blindful lambs, "Covenant of Darkness" sounds provoking and irreverent, "Where Angel Cower in Fear" and last track "Plague Upon the Unholy" both are relentless, cohesive and malicious, however it just leaves you unsatisfied.

What prevents this record to succeed at all within me are few things, at the beginning we have an intro that sounds more like an unfinished song, then they manage to pick up what they probably envisioned for this recording brutal... fast... but short tracks! Just averaging three minutes and thirty seconds per track, which reflects somewhat the lack of creativity or commitment and I'm not just running my mouth, if you take "Not Shadow nor Fog" the longest track, you can appreciate the capacity and potential they have to deliver something more unforgettable and distinctive, the production is clean and compact, allowing you to appreciate the instruments and that's worthy to mention; So, Throne definitely have potential to grow up and develop into a great band, I will keep my hopes high enough for their next record. 

Stay True... Stay Metal... Stay Brutal...


Track List:

01. Intro
02. Heresy of the Highest Order
03. Not of Shadow nor Fog
04. Altar of the Dying
05. Covenant of Darkness
06. Where Angels Cower in Fear
07. Plague Upon the Unholy












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Mar 30, 2016

Voivod (2016) Post Society [EP]


Band: Voivod
Country of Origin: Canada
Genre: Progressive metal
Type: EP
Format: CD Digipak
Length Approx.: 30:00 min.
Release Date02-26-2016
Release Label: Century Media Records

IR Classification: Good (4.0 / 5)





Listen our review! (English)






An imminent return to its roots, aiming to recapture some of their old fans and respect of the newest generation

Voivod are one of those few bands who remain and enjoy their creative longevity as anyone, since the beginning of their career they has been pulling album after album of great level, starting with the explosion of the Thrash metal in the eighties they were able to add progressive elements ending with such masterpieces as "Killing Technology" in 1987 or later "Dimension Hatröss" in 1988 and subsequently lead them into a more progressive spectrum to release "Nothingface" during 1989, or the stunning "The Outer Limits" released in 1993, passing through the ephemeral punk progressive of "Infini" in 2009 and lately their successful comeback to their progressive roots embodied in "Target Earth" three years ago, which has revived the flame of their most diehard fans.

Canadians Voivod have been fairly constant with respect to line-up changes, being the most significant the lost of their former guitarist Piggy who passed away in 2005 and the bassist Blacky, the current line-up is Away behind the drums, Snake performing vocals, Chewy in the crushing guitar and Rocky in the rumbling bass, with this formation Voivod record their latest work an EP entitled "Post Society" which contains five tracks, so let's take a look and find out what they have to offer for our delight.




"Post Society" is the first track and gives it the title to this EP, the bass roars loud with some post punk effect and rapidly is joined by striking guitar riff sharp and catchy, Snake vocals is still in good shape, while the drums lead the pace, "Forever Mountain" this track was included in a split with Napalm Death and tends to be in a slower pace, but overwhelming and sullen, the next track is "Fall" with a slightly peaceful guitar work, it turns into a eccentric and dissonant piece with a delirious guitar solo make this one the favorite of the EP, "We Are Connected" is another track previously released in a split with At The Gates one year ago, aiming to recapture some of their old fans and respect of the newest generation, here they shown us a more powerful work as unit, succeeding in every aspect from the fastest riff to the intense and slower pace, the closing song is the cover track "Silver Machine" from the English rock band Hawkwind which is really fun, how they imprint they own style and at the end come to be seriously catchy.

Voivod has been always very distinctive from the pack, at some point I could consider them as the lonely wolf of the prairie, in such case there is no boundaries for them and their creativity and their thirty-five years in the field, it proves how unique they are pick any decade and you will find out, what I'm talking about, definitely Voivod has earned a special place within the metal scene.

Stay True… Stay Metal… Stay Brutal...

Track List:

01. Post Society
02. Forever Mountain
03. Fall
04. We Are Connected
05. Silver Machine
Century Media Records

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